Many of the details in LETTERS FROM RIFKA came directly from interviews with my great aunt. There really was a milkman in Belgium who helped little Aunt Lucy find her way home. There really was a sailor aboard the ship who polished the decks by skating across them with brushes attached to his shoes. My great uncle really did present a banana to Aunt Lucy on Ellis Island to see what she would do. But other details I made up to move the story forward. All good fiction is like that, don’t you think…a balance of imagination and experience?
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Recent entries
- How Granny and Bean came to be
- “I have embarked on a project to write a book where every page was a self contained chapter. In writing workshop, feedback was that scenes felt fragmented and readers struggled with time and space. I was thrilled when my son told me about Witness. It showed me it can be done! Could you talk about how you worked with that format?”
- “Do you like your books more than any other book you’ve read?”
- “How do you think of everything? Does it slowly emerge out of nowhere or do you brainstorm several different ways the story could go and choose the one that best fits?”
- CONCERT TIME
- “What does STOWAWAY mean to you?”
- Signing on Saturday
- Happy Birthday, Birdman
- “How did you pick the photos for WITNESS?”
- “Why does Esther talk so funny?”
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