There are so many ways to tell a story. Every time I begin a book I consider how best to convey the tale; how I might expand the reader’s access to the emotional arc of the events. More than once I have chosen free verse as my structural vehicle, each time for a different reason.
In the case of WITNESS I envisioned the book as a trial with the speaking characters offering their testimony. I hoped to help the reader form a more balanced opinion of what transpired by presenting various points of view. No one character has all the answers nor knows the entire story. In my mind it was imperative to relate the events that way to avoid a single, prejudicial narrator.
My hope was to deliver the story in a series of rotating depositions. Poetry seemed the most concise and efficient method to invite the reader in, to allow the reader to identify with each speaker, even the ones they might not have wished to identify with, and to eliminate anything extraneous.